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QUESTION 1 to 4 are based on Femi Osofisan’s Morountodun.
1. Titubi’s experience at the peasants camp is narrated through a dramatic technique called
A. reflection B. projection
C. dramatic irony D. flashback.
2. The language of the play is
A. ambiguous B. condemnatory
C. apolitical D. metaphoric.
Use the passage below to answer questions 3 and 4.
‘…We have no electric, and we still drink tanwiji from the stream. Many of our children are in jail… We protested and your police mounted expeditions to maim us and reduce our houses to ashes…’
3. The images depicted are those of
A. poverty and opulence
B. opulence and brutality
C. suffering and depression
D. suffering and brutality.
4. The speech is made by
A. Titubi role-playing Moremi
B. Niniola role-playing Titubi
C. Mama Kayode role-playing Baba
D. Molade role-playing Marshal.
Questions 5 to 9 are based on William Shakespeare’s Twelfth Night.
5. X: What country, friends, is this?
Y: This is Illyria, lady.
X: And what should I do in Illyria?
My brother he is in Elysium.
Perchance he is not drown’d;…
The dialogue above takes place
A. in the captain’s ship B. in Illyria
C. by the sea-coast of Illyria
D. by the sea-coast after Illyria.
6. The author successfully conveys his message through
A. interior monologue B. comedy of manners
C. satirical performances D. comedy of errors.
…But, like a cloistress, she will veiled walk, And water once a day her chamber round With eve-offending brine; all this to season…
The imagery above describes
A. Viola’s deep sorrow for her drowned brother
B. Olivia’s deep sorrow over the loss of her
C. Viola’s grief over a love she cannot show
D. Olivia’s intense grief over the death of her
8. The play is about love,
A. longing and ambition
B. pretence and hatred
C. loss and death
D. commitment and marriage.
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